Ex-Chiefs WR Dwayne Bowe Reminisces On His 2010 Pro Bowl Season, Fires Shot At Matt Cassel - The Shadow League
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Former Kansas City Chiefs wide receiver Dwayne Bowe tweeted out a picture from his playing days with a graphic detailing his 2010 season. Bowe had 72 receptions for 1,162 yards and 15 touchdowns. The latter is the Chiefs’ single-season record for receiving touchdowns. Bowe also included a message.
Imagine IF I Had Pat Mahomes No Offense To Matt Cassel
Bowe earned Pro Bowl and All-Pro honors that season. The only time in his career. His quarterback during that time was Matt Cassel, who happened to see the tweet and had a great response.
Just seeing this. I’m just trying to take the kids sledding and I’m catching strays. Sheeesh. You buying dinner next time I see ya for this! 😂 https://t.co/Lakk3C48sO — Matt Cassel (@M_Cassel16) January 19, 2022
It’s 2022 on Twitter, anyone can catch a stray so you need to make sure you stay ready in these social media streets.
Cassel did the best thing you could do, which is make light of the situation. We can’t know Boe’s intent. But it doesn’t seem that there was anything malicious behind the tweet.
Bowe had a great season with Cassel, who completed less than 60 percent of his attempts. Given what Mahomes has done already in his brief career, and the offense he plays in, Boe naturally imagined what he could do with an MVP quarterback.
Since becoming a full-time starter Mahomes’ worst completion percentage in four seasons is 65.9 percent. He’s finished no worse than third in quarterback DVOA since becoming a starter and has thrown for at least 4,000 yards every season.
He’s pretty good.
Cassel was nowhere near that level of player, but no shame in that. He had a 13-year career.
Since Cassel was minding his own business when he caught that stray from Boe, it’s only fair he expects dinner the next time the two men see each other.
As for the current Kansas City Chiefs, they will face the Buffalo Bills in the divisional round at Arrowhead Stadium on Sunday with a spot in the AFC title game on the line. If they win it would be their fourth consecutive trip to the conference championship.
The two teams played earlier this season in Week 5, with the Bills winning 38-20.
Since becoming the starter in 2018 all Mahomes has known is making deep playoff runs. The opposing quarterback on Sunday, Josh Allen, will be looking to do his part to break up the Chiefs’ monopoly on the AFC.
“Yeah he’s a tremendous player,” Mahomes said in his Wednesday press conference. “I actually know him a little bit off the field as well, great dude. They put a lot on his shoulders, and he rises to the occasion. He’s able to run the ball, he can throw the ball, he has the arm strength to throw it anywhere on the football field and he makes great decisions. Like you said we’ll probably play them a lot of times, it’ll be great competition and it’s definitely a great challenge for us as a team to compete with them.”
Mahomes and Allen are part of that new wave of great quarterbacks, along with Baltimore’s Lamar Jackson. The road through the AFC for the next decade will likely include these three and Cincinnati’s Joe Burrow.
Let’s hope Sunday’s matchup is one for the ages.
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Around the NFL: D.C. Beginnings, Deebo Doin it All, Cassel Catching Strays, McDaniel Super Cut, Bullish on Hurts, More
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Because everyone loves talking about NFL coaching trees, let’s talk about one that will be heavily represented this weekend in the NFL’s divisional round playoffs. Let’s start with the NFC head coaches that got their starts with Mike Shanahan in Washington.
D.C. Beginnings for a Trio of NFC Head Coaches
The Washington Football Team has been a poster child for incompetence from ownership on down for a very long time, and this weekend is yet another reminder. In 2013 Washington had a trio of up-and-coming assistant coaches working under the legendary Mike Shanahan, who was on his way out the door. Working under Mike Shanahan on the offensive side of the ball were 33-year-old offensive coordinator Kyle Shanahan, 33-year-old quarterbacks coach Matt LaFleur, and 26-year-old tight ends coach Sean McVay.
Now, all three are head coaches elsewhere in the NFL, and the trio of Mike Shanahan disciples are leading three of the four teams participating in this weekend’s NFC Divisional Round playoffs with Kyle Shanahan (49ers) taking on his former quarterback’s coach Matt LaFleur (Packers) at Lambeau Field. Sean McVay, of course, will head to Tampa Bay to take on Bruce Arians and the Tampa Bay Buccaneers.
Now the head coaches of the Packers, 49ers and Rams… Matt LaFleur, Kyle Shanahan and Sean McVay lead their teams in the divisional round of the NFL Playoffs this weekend. Back in 2013, here they are as the QB coach, offensive coordinator and TE coach for #WashingtonFootball pic.twitter.com/3n7nSG30P3 — NBC4 Sports (@NBC4Sports) January 19, 2022
After the elder Shanahan was fired by Washington and replaced by Jay Gruden, Sean McVay was promoted to offensive coordinator. McVay would remain in that position until the Rams hired him as their head coach in 2017. Kyle Shannahan made stops as an offensive coordinator in Cleveland and Atlanta before landing the head coaching job in San Francisco, and Matt La Fleur spent two seasons as a quarterback’s coach at Notre Dame before rejoining Shanahan in the same position in Atlanta and eventually being hired by Green Bay as the head coach.
Jay Gruden went 35-49-1 in five-plus seasons (fired in his sixth season) as the head coach in Washington and spent one season as the offensive coordinator in Jacksonville in 2020. The WFT is just a perpetual punch-line.
By the way, Cincinnati Bengals head coach Zac Taylor is a Shanahan(ish) disciple, getting his NFL start working under Shanahan disciple Sean McVay in Los Angeles.
Deebo Samuel Calls His Shot
Deebo Samuel is a menace on the field. He does it all in the San Francisco offense, and he exudes confidence in doing it. With the 49ers needing a touchdown late in the game against Dallas last weekend, Samuel told head coach Kyle Shanahan to put the ball in his hands, and he delivered San Francisco the eventual deciding score in Arlington.
Deebo: I told you! Shanahan: Thanks for telling me. 😂@19problemz asked for the ball and scored on the next play. (via @nflfilms) @49ers pic.twitter.com/I2XTHwYZ9E — NFL (@NFL) January 20, 2022
Samuel racked up 110 yards and a touchdown on 13 touches (10 carries, 3 receptions) in the 49ers victory over the Dallas Cowboys. On the season, Samuel logged 1,770 yards from scrimmage and 14 touchdowns on 77 catches and 59 rushing attempts for the 49ers. Kyle Shanahan’s Swiss Army Knife provides the 49ers with a matchup nightmare for opposing teams. He’s Deebo ‘Doin’ it All’ Samuel, according to the 12-year-old rapper, Young Dylan, who interviewed him after the Dallas game on the Nickelodeon broadcast.
Matt Cassel Catching Strays (😂)
Retired NFL quarterback Matt Cassel is just a guy trying to mind his business and enjoy the winter and do some sledding with his kids, but instead, he’s out here “catching strays” from old teammates on Twitter.
Just seeing this. I’m just trying to take the kids sledding and I’m catching strays. Sheeesh. You buying dinner next time I see ya for this! 😂 https://t.co/Lakk3C48sO — Matt Cassel (@M_Cassel16) January 19, 2022
This is pretty funny, and the former Kansas City Chiefs signal-caller was a great sport about the dig from former wide receiver Dwayne Bowe. Honestly, I wouldn’t have been mad if Cassel did take such a high road and decided to hit Bowe with a “imagine if I had Tyreek Hill, no offense to Dwayne Bowe” in response to his old receiver’s tweet.
Mike McDaniel is a Press Conference Gem
San Francisco 49ers offensive coordinator Mike McDaniel worked a Mike Jones reference into his media availability recently, and that’s reason enough for me to consider him for the Bears head coaching vacancy.
The great Mike Jones (@ByMikeJones) joined 49ers OC Mike McDaniel’s press conference today to ask a question. McDaniel’s response: “Who!? Mike Jones!” 🤣🤣🤣 pic.twitter.com/0QcPSjWPrx — Field Yates (@FieldYates) January 19, 2022
Bears beat reporter Adam Hoge put together a supercut of other comical moments in McDaniel’s media availabilities yesterday on Twitter, and I’m laughing so hard at this guy.
I am here to fully endorse @thetonygill’s candidate for #Bears head coach pic.twitter.com/xUT6sfPxfc — Adam Hoge (@AdamHoge) January 20, 2022
McDaniel is like a mixture of Pete Davidson and Nick Kroll, and he’s absolutely hilarious. Other than being the offensive coordinator for a pretty successful 49ers offense this season, McDaniel spent time in Washington with Shanahan (both elder and younger), Sean McVay, and Matt LaFleur and served under Kyle Shanahan as a wide receivers coach in Cleveland and Atlanta. McDaniel is a Mike Shanahan disciple, starting his NFL coaching career as an intern under Mike Shanahan with the Denver Broncos in 2005 at the age of 21.
McDaniel hasn’t gotten any discussion as a head coaching candidate just yet, but I’m sure it will come in the not too distant future. After listening to Matt Nagy’s word salad for four years, listening to McDaniel every week would be a welcomed change of pace in a hypothetical world.
The Extra Point(s)
• Nick Sirianni is Sticking with Jalen Hurts in Philly:
Nick Sirianni says Philly’s got their QB1 🦅 pic.twitter.com/17jjTEfJZa — NFL on ESPN (@ESPNNFL) January 19, 2022
• Josh Allen balled out the last time the Bills were in Kansas City:
The last time the Bills played the Chiefs, Josh Allen did this: 315 passing yards
59 rushing yards
4 total TDs
W 📺: #BUFvsKC — Sunday 6:30pm ET on CBS
📱: NFL app pic.twitter.com/7S5vwvGC9S — NFL (@NFL) January 19, 2022
• Pittsburgh Steelers’ cornerback Joe Haden has an important PSA for his fellow NFL players heading into the offseason:
• Arian Foster was the goods back in the day!
• This is a fantastic resource for Chicago Bears fans looking to keep track of the Bears roster and salary cap situation this offseason:
The Bears are hunting for a new coach and GM, but what is the roster and salary cap situation they will inherit? I took a look at where things stand on @dabearsblog. https://t.co/4CiVXRAKoC — Johnathan Wood (@Johnathan_Wood1) January 20, 2022
• Does Joe Burrow have another one of these performances up his sleeve for the Tenessee Titans this weekend?
.@JoeyB was dealing the last time he faced the Titans. #RuleTheJungle 📺: #CINvsTEN — Saturday 4:30pm ET on CBS
📱: NFL app pic.twitter.com/Cmqn0uG2kD — NFL (@NFL) January 20, 2022
• That’s it for today, folks, but be sure to be on the lookout for a bunch of NFL Divisional Round content this weekend!
Highest RB Fantasy Football Single-Game Score in PPR History: Jamaal Charles in Week 15, 2013
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How does a player earn the highest fantasy football single-game RB score in NFL history … while rushing only 8 times for 20 yards? When his name is Jamaal Charles.
Jamaal Charles fantasy background
On December 15, 2013, the Chiefs all-world running back tallied an 8-20-1 rushing line with an incredible 8-195-4 receiving line. The Week 15 outburst netted him 59.5 PPR fantasy points — the most ever recorded in one game. PFN Executive Editor Aaron Sutton came from behind to beat his opponent on that glorious afternoon. Like Aaron, some of you won because of what Charles did. Others lost in heart-wrenching fashion. Regardless, everyone who witnessed this game remembers it.
Charles was already a fantasy mainstay. He was the RB9 the previous year with a 285-1,509-5 rushing line and 35-236-1 receiving line. Charles was the RB11 in 2009 and RB4 in 2010. He averaged an astronomical 6.1 yards per carry in his first four campaigns. Simply put, he was one of the greatest running backs of his time, and at 26 years old heading into that Week 15 matchup against the Raiders, he was at his peak as an NFL and fantasy superstar.
The matchup
The Raiders were tough against the run, yielding only 3.9 yards per carry — seventh-best in the league. But they gave up the most points in the AFC that season. They were also very beatable against the pass, yielding the fifth-most aerial yards. And they had the NFL’s second-fewest interceptions.
But Kansas City didn’t have any big-name receivers. Dwayne Bowe was on the downside of his relatively brief-yet-impressive career. Donnie Avery and Dexter McCluster were the next-best receiving options, and neither had much of an impact after 2015. It turns out the key to victory for a team that lacked a true No. 1 receiver facing a rival that was most beatable through the air was to go through Charles.
How Charles broke the record: First half
Every game, defenses blitz quarterbacks. In this game, Charles blitzed the defense.
In the first seven-and-a-half minutes, he’d racked up 2 catches for 88 receiving yards and 2 touchdowns, along with 8 rushing yards. That’s 23.6 fantasy points in the time it takes to make an omelet. The Chiefs wouldn’t get another play on offense until the second quarter, as Raiders QB Matt McGloin threw a pick-six, keeping Charles off the field for nearly eight minutes.
On Kansas City’s next two drives, Charles tacked on only 2.9 fantasy points, but it could have been 6 more. With 9:35 remaining in the first half, he caught a pass at the Raiders’ 4-yard line. A defender grabbed him around the ankle as another defender came on to finish the job. But Charles broke free, fell on one hand, did a half-spin, and lunged to within a couple of inches of the end zone. On the next play, Chiefs offensive tackle Rokevious Watkins finished the job; incredibly, this would be the only rushing attempt of Watkins’ career.
Another McGloin interception set up another Charles receiving touchdown. In KC’s first 17 offensive plays of the game, Charles had accrued 35.1 fantasy points, which simply boggles the mind. He finished the first half with 37.1.
How Charles broke the record: Second half
Trailing 35-17 at halftime, the Raiders rattled off touchdowns on consecutive drives to start the third quarter and closed the gap to just 4 points. That was good news for those needing more from Charles. On third-and-1 from their own 29, the Chiefs called a play-action pass while their No. 1 weapon went deep. Alex Smith hit him in the flat 22 yards downfield. Charles made one cut to juke a defender and then jogged uncontested into the end zone, extending his team’s lead to 42-31 with 3:47 left in the third.
Had the Raiders marched right back down the field and scored, history might have been different. But a fumble on the ensuing kickoff handed the ball back to Kansas City. Three plays into their drive, Smith was knocking on the door at the 6-yard line. Charles stood to his left with his hands on his knees, and on the snap ran immediately toward the left corner and turned with a clear shot at the end zone. No one was within 5 yards of him.
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But Smith never looked his way. Instead, he fired a laser at TE Sean McGrath, who caught the ball at the one, pivoted, and crossed the plane. It was the 17th contest of what would be a 51-game career for McGrath, spanning six seasons and three teams. But it marked only his second — and as it turned out, his final — touchdown of his career.
Charles didn’t touch the ball again in the third quarter, nor at any time in the fourth quarter. He didn’t need to. McGloin threw 2 more interceptions on his next two drives, giving him 5 turnovers on the day. In six other NFL starts, he had only 4 total turnovers. Had McGloin performed better, the Raiders might have stayed in this game longer, and Charles might have been forced to do more. Instead, fantasy managers “settled” for 59.5 points from an RB who was on the field for only 56% of his team’s offensive snaps.
Charles’ fantasy legacy
The following year would be Charles’ final great season: a 206-1,033-9 rushing line and a 40-291-5 receiving line, making him the RB7. The following summer, he owned an RB3 ADP, and he started 2015 with performances of 21.3, 18.7, 31.2, and 20.5 fantasy points, putting him on pace to be that season’s unquestioned RB1.
But in Week 5, he tore the ACL in his right knee, knocking him out for the rest of the year. He tried to work his way back in 2016, but he was sidelined again at midseason after another knee surgery. The Chiefs cut him that offseason. Charles flashed in a complementary role for the 2017 Broncos (425 yards on 97 touches) before quietly wrapping up his career in 2018 with the Jaguars (14 yards on 8 touches).
At his peak, Charles was the greatest player of his time, combining extraordinary rushing efficiency and elite pass catching. If not for his ACL injury at age 27, he could have had at least three more healthy seasons, and he might have been regarded as one of the most productive, complete backs in NFL history.
Instead, we’re left awestruck at what he accomplished in such a brief amount of time. And we’re left dumbstruck at how a running back could do what no one else has done on only 16 touches.
The 64th GRAMMY Awards announces new date and venue
The 64th GRAMMY Awards will be pushing through this April.
After announcing its postponement due to the spread of the new Omicron variant, the Recording Academy has announced that this year’s edition of the GRAMMY Awards will be held at MGM Grand Garden Arena in Las Vegas on 3 April (Sunday).
The 64th #GRAMMYs have been rescheduled and will now be broadcast live from the @MGMGrand Garden Arena in Las Vegas on Sunday, April 3 on @CBS! ✨🎶 pic.twitter.com/Fidkbeyanm — Recording Academy / GRAMMYs (@RecordingAcad) January 18, 2022
Emmy Award-winning comedian and The Daily Show star Trevor Noah will be returning to host the event.
Ahead of the ceremony, the Recording Academy revealed the nominees for the 64th GRAMMY Awards via livestream. Nominees were presented by the likes of BTS, H.E.R., Måneskin, Jon Batiste, FINNEAS, and more.
“We are excited to take the GRAMMYs to Las Vegas for the very first time, and to put on a world-class show. From the moment we announced the postponement of the original show date, we have been inundated with heartfelt messages of support and solidarity from the artist community,” Recording Academy CEO Harvey Mason jr. shares in a statement. “We are humbled by their generosity and grateful for their unwavering commitment to the GRAMMY Awards and the Academy’s mission.”
The 64th GRAMMY Awards will be broadcasted on CBS and will also be available to stream live and on demand via Paramount+.
Here are the nominees for the 64th GRAMMY Awards:
Record of the Year
‘I Still Have Faith in You,’ Abba
‘Freedom,’ Jon Batiste
‘I Get a Kick Out of You,’ Tony Bennett & Lady Gaga
‘Peaches,’ Justin Bieber featuring Daniel Caesar & Giveon
‘Right on Time,’ Brandi Carlile
‘Kiss Me More,’ Doja Cat Featuring SZA
‘Happier Than Ever,’ Billie Eilish
‘Montero (Call Me By Your Name),’ Lil Nas X
‘Drivers License,’ Olivia Rodrigo
‘Leave the Door Open,’ Silk Sonic
Album of the Year
‘We Are,’ Jon Batiste
‘Love for Sale,’ Tony Bennett And Lady Gaga
‘Justice (Triple Chucks Deluxe),’ Justin Bieber
‘Planet Her (Deluxe),’ Doja Cat
‘Happier Than Ever,’ Billie Eilish
‘Back of My Mind,’ H.E.R.
‘Montero,’ Lil Nas X
‘Sour,’ Olivia Rodrigo
‘Evermore,’ Taylor Swift
‘Donda,’ Kanye West
Song of the Year
‘Bad Habits,’ Fred Gibson, Johnny Mcdaid and Ed Sheeran, Songwriters (Ed Sheeran)
‘A Beautiful Noise,’ Ruby Amanfu, Brandi Carlile, Brandy Clark, Alicia Keys, Hillary Lindsey, Lori Mckenna, Linda Perry and Hailey Whitters, Songwriters (Alicia Keys & Brandi Carlile)
‘Drivers License,’ Daniel Nigro and Olivia Rodrigo, Songwriters (Olivia Rodrigo)
‘Fight for You,’ Dernst Emile Ii, H.E.R. and Tiara Thomas, Songwriters (H.E.R.)
‘Happier Than Ever,’ Billie Eilish O’connell and Finneas O’connell, Songwriters (Billie Eilish)
‘Kiss Me More,’ Rogét Chahayed, Amala Zandile Dlamini, Lukasz Gottwald, Carter Lang, Gerard A. Powell Ii, Solána Rowe and David Sprecher, Songwriters (Doja Cat Featuring Sza)
‘Leave the Door Open,’ Brandon Anderson, Christopher Brody Brown, Dernst Emile Ii and Bruno Mars, Songwriters (Silk Sonic)
‘Montero (Call Me By Your Name),’ Denzel Baptiste, David Biral, Omer Fedi, Montero Hill and Roy Lenzo, Songwriters (Lil Nas X)
‘Peaches,’ Louis Bell, Justin Bieber, Giveon Dezmann Evans, Bernard Harvey, Felisha ‘Fury’ King, Matthew Sean Leon, Luis Manuel Martinez Jr., Aaron Simmonds, Ashton Simmonds, Andrew Wotman Aand Keavan Yazdani, Songwriters (Justin Bieber Featuring Daniel Caesar and Giveon)
‘Right on Time,’ Brandi Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth, Songwriters (Brandi Carlile)
Best New Artist
Arooj Aftab
Jimmie Allen
Baby Keem
Finneas
Glass Animals
Japanese Breakfast
The Kid Laroi
Arlo Parks
Olivia Rodrigo
Saweetie
Best Pop Solo Performance
‘Anyone,’ Justin Bieber
‘Right on Time,’ Brandi Carlile
‘Happier Than Ever,’ Billie Eilish
‘Positions,’ Ariana Grande
‘Drivers License,’ Olivia Rodrigo
Best Pop Duo/Group Performance
‘I Get a Kick Out of You,’ Tony Bennett and Lady Gaga
‘Lonely,’ Justin Bieber and Benny Blanco
‘Butter,’ BTS
‘Higher Power,’ Coldplay
‘Kiss Me More,’ Doja Cat featuring SZA
Best Traditional Pop Vocal Album
‘Love for Sale,’ Tony Bennett and Lady Gaga
‘’Til We Meet Again (Live),’ Norah Jones
‘A Tori Kelly Christmas,’ Tori Kelly
‘Ledisi Sings Nina,’ Ledisi
‘That’s Life,’ Willie Nelson
‘A Holly Dolly Christmas,’ Dolly Parton
Best Pop Vocal Album
‘Justice (Triple Chucks Deluxe),’ Justin Bieber
‘Planet Her (Deluxe),’ Doja Cat
‘Happier Than Ever,’ Billie Eilish
‘Positions,’ Ariana Grande
‘Sour,’ Olivia Rodrigo
Best Dance/Electronic Recording
‘Hero,’ Afrojack and David Guetta
‘Loom,’ Ólafur Arnalds featuring Bonobo
‘Before,’ James Blake
‘Heartbreak,’ Bonobo and Totally Enormous Extinct Dinosaurs
‘You Can Do It,’ Caribou
‘Alive,’ Rüfüs Du Sol
‘The Business,’ Tiësto
Best Dance/Electronic Music Album
‘Subconsciously,’ Black Coffee
‘Fallen Embers,’ Illenium
‘Music Is the Weapon (Reloaded),’ Major Lazer
‘Shockwave,’ Marshmello
‘Free Love,’ Sylvan Esso
‘Judgement,’ Ten City
Best Alternative Music Album
‘Shore,’ Fleet Foxes
‘If I Can’t Have Love, I Want Power,’ Halsey
‘Jubilee,’ Japanese Breakfast
‘Collapsed in Sunbeams,’ Arlo Parks
‘Daddy’s Home,’ St. Vincent
Best Contemporary Instrumental Album
‘Double Dealin’,’ Randy Brecker And Eric Marienthal
‘The Garden,’ Rachel Eckroth
‘Tree Falls,’ Taylor Eigsti
‘At Blue Note Tokyo,’ Steve Gadd Band
‘Deep: The Baritone Sessions, Vol. 2,’ Mark Lettieri
Best Rock Performance
‘Shot in the Dark,’ AC/DC
‘Know You Better (Live From Capitol Studio A),’ Black Pumas
‘Nothing Compares 2 U,’ Chris Cornell
‘Ohms,’ Deftones
‘Making a Fire,’ Foo Fighters
Best Metal Performance
‘Genesis,’ Deftones
‘The Alien,’ Dream Theater
‘Amazonia,’ Gojira
‘Pushing the Tides,’ Mastodon
‘The Triumph of King Freak (A Crypt of Preservation and Superstition),’ Rob Zombie
Best Rock Song
‘All My Favorite Songs,’ Rivers Cuomo, Ashley Gorley, Ben Johnson and Ilsey Juber, Songwriters (Weezer)
‘The Bandit,’ Caleb Followill, Jared Followill, Matthew Followill and Nathan Followill, Songwriters (Kings of Leon)
‘Distance,’ Wolfgang Van Halen, Songwriter (Mammoth Wvh)
‘Find My Way,’ Paul McCartney, Songwriter (Paul McCartney)
‘Waiting on a War,’ Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear, Songwriters (Foo Fighters)
Best Rock Album
‘Power Up,’ AC/DC
‘Capitol Cuts - Live From Studio A,’ Black Pumas
‘No One Sings Like You Anymore Vol. 1,’ Chris Cornell
‘Medicine at Midnight,’ Foo Fighters
‘McCartney III,’ Paul McCartney
Best R&B Performance
‘Lost You,’ Snoh Aalegra
‘Peaches,’ Justin Bieber featuring Daniel Caesar and Giveon
‘Damage,’ H.E.R.
‘Leave the Door Open,’ Silk Sonic
‘Pick Up Your Feelings,’ Jazmine Sullivan
Best Traditional R&B Performance
‘I Need You,’ Jon Batiste
‘Bring It on Home to Me,’ BJ The Chicago Kid, PJ Morton and Kenyon Dixon featuring Charlie Bereal
‘Born Again,’ Leon Bridges featuring Robert Glasper
‘Fight for You,’ H.E.R.
‘How Much Can a Heart Take,’ Lucky Daye featuring Yebba
Best R&B Song
‘Damage,’ Anthony Clemons Jr., Jeff Gitelman, H.E.R., Carl McCormick and Tiara Thomas, songwriters (H.E.R.)
‘Good Days,’ Jacob Collier, Carter Lang, Carlos Munoz, Solána Rowe and Christopher Ruelas, songwriters (SZA)
‘Heartbreak Anniversary,’ Giveon Evans, Maneesh, Sevn Thomas and Varren Wade, songwriters (Giveon)
‘Leave the Door Open,’ Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic)
‘Pick Up Your Feelings,’ Denisia ‘Blue June’ Andrews, Audra Mae Butts, Kyle Coleman, Brittany ‘Chi’ Coney, Michael Holmes and Jazmine Sullivan, songwriters (Jazmine Sullivan)
Best Progressive R&B Album
‘New Light,’ Eric Bellinger
‘Something to Say,’ Cory Henry
‘Mood Valiant,’ Hiatus Kaiyote
‘Table for Two,’ Lucky Daye
‘Dinner Party: Dessert,’ Terrace Martin, Robert Glasper, 9th Wonder and Kamasi Washington
‘Studying Abroad: Extended Stay,’ Masego
Best R&B Album
‘Temporary Highs in the Violet Skies,’ Snoh Aalegra
‘We Are,’ Jon Batiste
‘Gold-Diggers Sound,’ Leon Bridges
‘Back of My Mind,’ H.E.R.
‘Heaux Tales,’ Jazmine Sullivan
Best Rap Performance
‘Family Ties’ Baby Keem featuring Kendrick Lamar
‘Up,’ Cardi B
‘My Life,’ J. Cole featuring 21 Savage and Morray
‘Way 2 Sexy,’ Drake featuring Future and Young Thug
‘Thot ___,’ Megan Thee Stallion
Best Melodic Rap Performance
‘Pride Is the Devil,’ J. Cole featuring Lil Baby
‘Need to Know,’ Doja Cat
‘Industry Baby,’ Lil Nas X featuring Jack Harlow
‘Wusyaname,’ Tyler, The Creator featuring Youngboy Never Broke Again and Ty Dolla $ign
‘Hurricane,’ Kanye West featuring the Weeknd and Lil Baby
Best Rap Song
‘Bath Salts,’ Shawn Carter, Kasseem Dean, Michael Forno, Nasir Jones and Earl Simmons, songwriters (DMX featuring Jay-Z and Nas)
‘Best Friend,’ Amala Zandelie Dlamini, Lukasz Gottwald, Randall Avery Hammers, Diamonté Harper, Asia Smith, Theron Thomas and Rocco Valdes, songwriters (Saweetie featuring Doja Cat)
‘Family Ties,’ Roshwita Larisha Bacha, Hykeem Carter, Tobias Dekker, Colin Franken, Jasper Harris, Kendrick Lamar, Ronald Latour and Dominik Patrzek, songwriters (Baby Keem featuring Kendrick Lamar)
‘Jail,’ Dwayne Abernathy, Jr., Shawn Carter, Raul Cubina, Michael Dean, Charles M. Njapa, Sean Solymar, Brian Hugh Warner, Kanye West & Mark Williams, songwriters (Kanye West featuring Jay-Z)
‘My Life,’ Shéyaa Bin Abraham-Joseph & Jermaine Cole, songwriters (J. Cole featuring 21 Savage & Morray)
Best Rap Album
‘The Off-Season,’ J. Cole
‘Certified Lover Boy,’ Drake
‘King’s Disease II,’ Nas
‘Call Me If You Get Lost,’ Tyler, the Creator
‘Donda,’ Kanye West
Best Country Solo Performance
‘Forever After All,’ Luke Combs
‘Remember Her Name,’ Mickey Guyton
‘All I Do Is Drive,’ Jason Isbell
‘Camera Roll,’ Kacey Musgraves
‘You Should Probably Leave,’ Chris Stapleton
Best Country Duo/Group Performance
‘If I Didn’t Love You,’ Jason Aldean and Carrie Underwood
‘Younger Me,’ Brothers Osborne
‘Glad You Exist,’ Dan + Shay
‘Chasing After You,’ Ryan Hurd and Maren Morris
‘Drunk (And I Don’t Wanna Go Home),’ Elle King and Miranda Lambert
Best Country Song
‘Better Than We Found It,’ Jessie Jo Dillon, Maren Morris, Jimmy Robbins and Laura Veltz, songwriters (Maren Morris)
‘Camera Roll,’ Ian Fitchuk, Kacey Musgraves and Daniel Tashian, songwriters (Kacey Musgraves)
‘Cold,’ Dave Cobb, J.T. Cure, Derek Mixon and Chris Stapleton, songwriters (Chris Stapleton)
‘Country Again,’ Zach Crowell, Ashley Gorley and Thomas Rhett, songwriters (Thomas Rhett)
‘Fancy Like,’ Cameron Bartolini, Walker Hayes, Josh Jenkins and Shane Stevens, songwriters (Walker Hayes)
‘Remember Her Name,’ Mickey Guyton, Blake Hubbard, Jarrod Ingram and Parker Welling, songwriters (Mickey Guyton)
Best Country Album
‘Skeletons,’ Brothers Osborne
‘Remember Her Name,’ Mickey Guyton
‘The Marfa Tapes,’ Miranda Lambert, Jon Randall and Jack Ingram
‘The Ballad of Dood & Juanita,’ Sturgill Simpson
‘Starting Over,’ Chris Stapleton
Best New Age Album
‘Brothers,’ Will Ackerman, Jeff Oster and Tom Eaton
‘Divine Tides,’ Stewart Copeland and Ricky Kej
‘Pangaea,’ Wouter Kellerman and David Arkenstone
‘Night + Day,’ Opium Moon
‘Pieces of Forever,’ Laura Sullivan
Best Improvised Jazz Solo
‘Sackodougou,’ Christian Scott aTunde Adjuah, soloist
‘Kick Those Feet,’ Kenny Barron, soloist
‘Bigger Than Us,’ Jon Batiste, soloist
‘Absence,’ Terence Blanchard, soloist
‘Humpty Dumpty (Set 2),’ Chick Corea, soloist
Best Jazz Vocal Album
‘Generations,’ The Baylor Project
‘Superblue,’ Kurt Elling and Charlie Hunter
‘Time Traveler,’ Nnenna Freelon
‘Flor,’ Gretchen Parlato
‘Songwrights Apothecary Lab,’ Esperanza Spalding
Best Jazz Instrumental Album
‘Jazz Selections: Music From and Inspired by Soul,’ Jon Batiste
‘Absence,’ Terence Blanchard featuring the E Collective and the Turtle Island Quartet
‘Skyline,’ Ron Carter, Jack DeJohnette and Gonzalo Rubalcaba
‘Akoustic Band Live,’ Chick Corea, John Patitucci and Dave Weckl
‘Side-Eye NYC (V1.IV),’ Pat Metheny
Best Large Jazz Ensemble Album
‘Live at Birdland!,’ The Count Basie Orchestra directed by Scotty Barnhart
‘Dear Love,’ Jazzmeia Horn and her Noble Force
‘For Jimmy, Wes AND Oliver,’ Christian McBride Big Band
‘Swirling,’ Sun Ra Arkestra
‘Jackets XL,’ Yellowjackets + WDR Big Band
Best Latin Jazz Album
‘Mirror Mirror,’ Eliane Elias With Chick Corea and Chucho Valdés
‘The South Bronx Story,’ Carlos Henriquez
‘Virtual Birdland,’ Arturo O’Farrill & the Afro Latin Jazz Orchestra
‘Transparency,’ Dafnis Prieto Sextet
‘El Arte Del Bolero,’ Miguel Zenón and Luis Perdomo
Best Gospel Performance/Song
‘Voice of God,’ Dante Bowe featuring Steffany Gretzinger and Chandler Moore; Dante Bowe, Tywan Mack, Jeff Schneeweis and Mitch Wong, songwriters
‘Joyful,’ Dante Bowe; Dante Bowe and Ben Schofield, songwriters
‘Help,’ Anthony Brown & Group Therapy; Anthony Brown and Darryl Woodson, songwriters
‘Never Lost,’ CeCe Winans
‘Wait on You,’ Elevation Worship and Maverick City Music; Dante Bowe, Chris Brown, Steven Furtick, Tiffany Hudson, Brandon Lake and Chandler Moore, songwriters
Best Contemporary Christian Music Performance/Song
‘We Win,’ Kirk Franklin and Lil Baby; Kirk Franklin, Dominique Jones, Cynthia Nunn and Justin Smith, songwriters
‘Hold Us Together (Hope Mix),’ H.E.R. and Tauren Wells; Josiah Bassey, Dernst Emile and H.E.R., songwriters
‘Man of Your Word,’ Chandler Moore and KJ Scriven; Jonathan Jay, Nathan Jess and Chandler Moore, songwriters
‘Believe For It,’ CeCe Winans; Dwan Hill, Kyle Lee, CeCe Winans and Mitch Wong, songwriters
‘Jireh,’ Elevation Worship and Maverick City Music featuring Chandler Moore and Naomi Raine; Chris Brown, Steven Furtick, Chandler Moore and Naomi Raine, songwriters
Best Gospel Album
‘Changing Your Story,’ Jekalyn Carr
‘Royalty: Live at the Ryman,’ Tasha Cobbs Leonard
‘Jubilee: Juneteenth Edition,’ Maverick City Music
‘Jonny X Mali: Live in LA,’ Jonathan McReynolds and Mali Music
‘Believe for It,’ CeCe Winans
Best Contemporary Christian Music Album
‘No Stranger,’ Natalie Grant
‘Feels Like Home Vol. 2,’ Israel and New Breed
‘The Blessing (Live),’ Kari Jobe
‘Citizen of Heaven (Live),’ Tauren Wells
‘Old Church Basement,’ Elevation Worship and Maverick City Music
Best Roots Gospel Album
‘Alone With My Faith,’ Harry Connick, Jr.
‘That’s Gospel, Brother,’ Gaither Vocal Band
‘Keeping On,’ Ernie Haase and Signature Sound
‘Songs For the Times,’ The Isaacs
‘My Savior,’ Carrie Underwood
Best Latin Pop Album
‘Vértigo,’ Pablo Alborán
‘Mis Amores,’ Paula Arenas
‘Hecho a la Antigua,’ Ricardo Arjona
‘Mis Manos,’ Camilo
‘Mendó,’ Alex Cuba
‘Revelación,’ Selena Gomez
Best Música Urbana Album
‘Afrodisíaco,’ Rauw Alejandro
‘El Último Tour Del Mundo,’ Bad Bunny
‘Jose,’ J Balvin
‘KG0516,’ KAROL G
‘Sin Miedo (Del Amor y Otros Demonios),’ Kali Uchis
Best Latin Rock or Alternative Album
‘Deja,’ Bomba Estéreo
‘Mira Lo Que Me Hiciste Hacer (Deluxe Edition),’ Diamante Eléctrico
‘Origen,’ Juanes
‘Calambre,’ Nathy Peluso
‘El Madrileño,’ C. Tangana
‘Sonidos de Karmática Resonancia,’ Zoé
Best Regional Mexican Music Album (Including Tejano)
‘Antología de la Musica Ranchera, Vol. 2,’ Aida Cuevas
‘A Mis 80’s,’ Vicente Fernández
‘Seis,’ Mon Laferte
‘Un Canto por México, Vol. II,’ Natalia Lafourcade
‘Ayayay! (Súper Deluxe),’ Christian Nodal
Best Tropical Latin Album
‘Salswing!,’ Rubén Blades y Roberto Delgado & Orquesta
‘En Cuarentena,’ El Gran Combo De Puerto Rico
‘Sin Salsa No Hay Paraíso,’ Aymée Nuviola
‘Colegas,’ Gilberto Santa Rosa
‘Live in Peru,’ Tony Succar
Best American Roots Performance
‘Cry,’ Jon Batiste
‘Love and Regret,’ Billy Strings
‘I Wish I Knew How It Would Feel to Be Free,’ The Blind Boys of Alabama and Béla Fleck
‘Same Devil,’ Brandy Clark featuring Brandi Carlile
‘Nightflyer,’ Allison Russell
Best American Roots Song
‘Avalon,’ Rhiannon Giddens, Justin Robinson and Francesco Turrisi, songwriters (Rhiannon Giddens with Francesco Turrisi)
‘Call Me a Fool,’ Valerie June, songwriter (Valerie June featuring Carla Thomas)
‘Cry,’ Jon Batiste and Steve McEwan, songwriters (Jon Batiste)
‘Diamond Studded Shoes,’ Dan Auerbach, Natalie Hemby, Aaron Lee Tasjan and Yola, songwriters (Yola)
‘Nightflyer,’ Jeremy Lindsay and Allison Russell, songwriters (Allison Russell)
Best Americana Album
‘Downhill From Everywhere,’ Jackson Browne
‘Leftover Feelings,’ John Hiatt with the Jerry Douglas Band
‘Native Sons,’ Los Lobos
‘Outside Child,’ Allison Russell
‘Stand For Myself,’ Yola
Best Bluegrass Album
‘Renewal,’ Billy Strings
‘My Bluegrass Heart,’ Béla Fleck
‘A Tribute To Bill Monroe,’ The Infamous Stringdusters
‘Cuttin’ Grass - Vol. 1 (Butcher Shoppe Sessions),’ Sturgill Simpson
‘Music Is What I See,’ Rhonda Vincent
Best Traditional Blues Album
‘100 Years of Blues,’ Elvin Bishop and Charlie Musselwhite
‘Traveler’s Blues,’ Blues Traveler
‘I Be Trying,’ Cedric Burnside
‘Be Ready When I Call You,’ Guy Davis
‘Take Me Back,’ Kim Wilson
Best Contemporary Blues Album
‘Delta Kream,’ The Black Keys featuring Eric Deaton and Kenny Brown
‘Royal Tea,’ Joe Bonamassa
‘Uncivil War,’ Shemekia Copeland
‘Fire It Up,’ Steve Cropper
‘662,’ Christone ‘Kingfish’ Ingram
Best Folk Album
‘One Night Lonely [Live],’ Mary Chapin Carpenter
‘Long Violent History,’ Tyler Childers
‘Wednesday (Extended Edition),’ Madison Cunningham
‘They’re Calling Me Home,’ Rhiannon Giddens with Francesco Turrisi
‘Blue Heron Suite,’ Sarah Jarosz
Best Regional Roots Music Album
‘Live in New Orleans!,’ Sean Ardoin and Kreole Rock and Soul
‘Bloodstains & Teardrops,’ Big Chief Monk Boudreaux
‘My People,’ Cha Wa
‘Corey Ledet Zydeco,’ Corey Ledet Zydeco
‘Kau Ka Pe’a,’ Kalani Pe’a
Best Reggae Album
‘Pamoja,’ Etana
‘Positive Vibration,’ Gramps Morgan
‘Live N Livin,’ Sean Paul
‘Royal,’ Jesse Royal
‘Beauty in the Silence,’ Soja
‘10,’ Spice
Best Engineered Album, Non-Classical
‘Cinema,’ Josh Conway, Marvin Figueroa, Josh Gudwin, Neal H Pogue and Ethan Shumaker, engineers; Joe LaPorta, mastering engineer (The Marías)
‘Dawn,’ Thomas Brenneck, Zach Brown, Elton ‘L10MixedIt’ Chueng, Riccardo Damian, Tom Elmhirst, Jens Jungkurth, Todd Monfalcone, John Rooney and Smino, engineers; Randy Merrill, mastering engineer (Yebba)
‘Hey What,’ BJ Burton, engineer; BJ Burton, mastering engineer (Low)
‘Love for Sale,’ Dae Bennett, Josh Coleman and Billy Cumella, engineers; Greg Calbi and Steve Fallone, mastering engineers (Tony Bennett and Lady Gaga)
Producer of the Year, Non-Classical
Jack Antonoff
Rogét Chahayed
Mike Elizondo
Hit-Boy
Ricky Reed
Best Remixed Recording
‘Back to Life’ (Booker T Kings of Soul Satta Dub); Booker T, remixer (Soul II Soul)
‘Born for Greatness’ (Cymek Remix); Spencer Bastin, remixer (Papa Roach); track from: ‘Greatest Hits Vol. 2 The Better Noise Years’
‘Constant Craving’ (Fashionably Late Remix); Tracy Young, remixer (K.D. Lang)
‘Inside Out’ (3SCAPE DRM REMIX); 3SCAPE DRM, remixer (Zedd and Griff)
‘Met Him Last Night (Dave Audé Remix); Dave Audé, remixer (Demi Lovato and Ariana Grande)
‘Passenger’ (Mike Shinoda Remix); Mike Shinoda, remixer (Deftones); track from: ‘White Pony’ (20th Anniversary Deluxe Edition)
‘Talks’ (Mura Masa Remix); Alexander Crossan, remixer (PVA)
Best Global Music Performance
‘Mohabbat,’ Arooj Aftab
‘Do Yourself,’ Angelique Kidjo and Burna Boy
‘Pà Pá Pà,’ Femi Kuti
‘Blewu,’ Yo-Yo Ma and Angelique Kidjo
‘Essence,’ Wizkid featuring Tems
Best Global Music Album
‘Voice Of Bunbon, Vol. 1,’ Rocky Dawuni
‘East West Players Presents: Daniel Ho and Friends Live in Concert,’ Daniel Ho and Friends
‘Mother Nature,’ Angelique Kidjo
‘Legacy +,’ Femi Kuti and Made Kuti
‘Made In Lagos: Deluxe Edition,’ Wizkid
Best Children’s Music Album
‘Actívate,’ 123 Andrés
‘All One Tribe,’ 1 Tribe Collective
‘Black to the Future,’ Pierce Freelon
‘A Colorful World,’ Falu
‘Crayon Kids,’ Lucky Diaz and the Family Jam Band
Best Spoken Word Album
‘Aftermath,’ Levar Burton
‘Carry On: Reflections for a New Generation From John Lewis,’ Don Cheadle
‘Catching Dreams: Live at Fort Knox Chicago,’ J. Ivy
‘8:46,’ Dave Chappelle and Amir Sulaiman
‘A Promised Land,’ Barack Obama
Best Comedy Album
‘The Comedy Vaccine,’ Lavell Crawford
‘Evolution,’ Chelsea Handler
‘Sincerely Louis C.K.,’ Louis C.K.
‘Thanks For Risking Your Life,’ Lewis Black
‘The Greatest Average American,’ Nate Bargatze
‘Zero ___ Given,’ Kevin Hart
Best Musical Theater Album
‘Andrew Lloyd Webber’s Cinderella,’ Andrew Lloyd Webber, Nick Lloyd Webber and Greg Wells, producers; Andrew Lloyd Webber and David Zippel, composers/lyricists (Original Album Cast)
‘Burt Bacharach and Steven Sater’s Some Lovers,’ Burt Bacharach, Michael Croiter, Ben Hartman and Steven Sater, Producers; Burt Bacharach, composer; Steven Sater, lyricist (World Premiere Cast)
‘Girl From The North Country,’ Simon Hale, Conor Mcpherson and Dean Sharenow, Producers (Bob Dylan, composer and lyricist) (Original Broadway Cast)
‘Les Misérables: The Staged Concert (The Sensational 2020 Live Recording),’ Cameron Mackintosh, Lee Mccutcheon and Stephenmetcalfe, producers (Claude-Michel Schönberg, composer; Alain Boublil, John Caird, Herbert Kretzmer, Jean-Marc Natel and Trevor Nunn, lyricists) (The 2020 Les Misérables Staged Concert Company)
‘Stephen Schwartz’s Snapshots,’ Daniel C. Levine, Michael J Moritz Jr, Bryan Perri and Stephen Schwartz, producers (Stephen Schwartz, composer and lyricist) (World Premiere Cast)
‘The Unofficial Bridgerton Musical,’ Emily Bear, producer; Abigail Barlow and Emily Bear, composers/lyricists (Barlow & Bear)
Best Compilation Soundtrack for Visual Media
‘Cruella,’ (Various Artists)
‘Dear Evan Hansen,’ (Various Artists)
‘In The Heights,’ (Various Artists)
‘One Night In Miami…,’ (Various Artists)
‘Respect,’ Jennifer Hudson
‘Schmigadoon! Episode 1,’ (Various Artists)
‘The United States vs. Billie Holiday,’ Andra Day
Best Score Soundtrack for Visual Media
‘Bridgerton,’ Kris Bowers, composer
‘Dune,’ Hans Zimmer, composer
‘The Mandalorian: Season 2 - Vol. 2 (Chapters 13-16),’ Ludwig Göransson, composer
‘The Queen’s Gambit,’ Carlos Rafael Rivera, composer
‘Soul,’ Jon Batiste, Trent Reznor and Atticus Ross, composers
Best Song Written For Visual Media
‘Agatha All Along [From Wandavision: Episode 7],’ Kristen Anderson-Lopez and Robert Lopez, songwriters (Kristen Anderson-Lopez and Robert Lopez featuring Kathryn Hahn, Eric Bradley, Greg Whipple, Jasper Randall and Gerald White)
‘All Eyes On Me [From Inside],’ Bo Burnham, songwriter (Bo Burnham)
‘All I Know So Far [From Pink: All I Know So Far],’ Alecia Moore, Benj Pasek and Justin Paul, songwriters (Pink)
‘Fight For You [From Judas and the Black Messiah],’ Dernst Emile Ii, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
‘Here I Am (Singing My Way Home) [From Respect],’ Jamie Hartman, Jennifer Hudson and Carole King, songwriters (Jennifer Hudson)
‘Speak Now [From One Night in Miami…],’ Sam Ashworth and Leslie Odom, Jr., Songwriters (Leslie Odom, Jr.)
Best Immersive Audio Album
‘Alicia,’ George Massenburg and Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Ann Mincieli, immersive producer (Alicia Keys)
‘Clique,’ Jim Anderson and Ulrike Schwarz, immersive mix engineers; Bob Ludwig, immersive mastering engineer; Jim Anderson, immersive producer (Patricia Barber)
‘Fine Line,’ Greg Penny, immersive mix engineer; Greg Penny, immersive mastering engineer; Greg Penny, immersive producer (Harry Styles)
‘The Future Bites,’ Jake Fields and Steven Wilson, immersive mix engineers; Bob Ludwig, immersive mastering engineer; Steven Wilson, immersive producer (Steven Wilson)
‘Stille Grender,’ Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Anne Karin Sundal-Ask and Det Norske Jentekor)
Best Immersive Audio Album (for 63rd Grammy Awards)
‘Bolstad: Tomba Sonora,’ Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Stemmeklang)
‘Dear Future Self (Dolby Atmos Mixes),’ Fritz Hilpert, immersive mix engineer; Jason Banks, Fritz Hilpert and David Ziegler, immersive mastering engineers; Tom Ammerman, Arno Kammermeier and Walter Merziger, immersive producers (Booka Shade)
‘Fryd,’ Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Tove Ramlo-Ystad and Cantus)
‘Mutt Slang Ii - A Wake of Sorrows Engulfed in Rage,’ Elliot Scheiner, immersive mix engineer; Darcy Proper, immersive mastering engineer; Alain Mallet and Elliot Scheiner, immersive producers (Alain Mallet)
‘Soundtrack of the American Soldier,’ Leslie Ann Jones, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Dan Merceruio, immersive producer (Jim R. Keene and the United States Army Field Band)
Best Engineered Album, Classical
‘Archetypes,’ Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
‘Beethoven: Cello Sonatas - Hope Amid Tears,’ Richard King, engineer (Yo-Yo Ma and Emanuel Ax)
‘Beethoven: Symphony No. 9,’ Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir of Pittsburgh and Pittsburgh Symphony Orchestra)
‘Chanticleer Sings Christmas,’ Leslie Ann Jones, engineer (Chanticleer)
‘Mahler: Symphony No. 8, ‘Symphony Of A Thousand,’’ Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)
Producer of the Year, Classical
Blanton Alspaugh
Steven Epstein
David Frost
Elaine Martone
Judith Sherman
Best Orchestral Performance
‘Adams: My Father Knew Charles Ives; Harmonielehre,’ Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
‘Beethoven: Symphony No. 9,’ Manfred Honeck, conductor (Mendelssohn Choir of Pittsburgh and Pittsburgh Symphony Orchestra)
‘Muhly: Throughline,’ Nico Muhly, conductor (San Francisco Symphony)
‘Price: Symphonies Nos. 1 & 3,’ Yannick Nézet-Séguin, conductor (Philadelphia Orchestra)
‘Strauss: Also Sprach Zarathustra; Scriabin: The Poem of Ecstasy,’ Thomas Dausgaard, conductor (Seattle Symphony Orchestra)
Best Opera Recording
‘Bartók: Bluebeard’s Castle,’ Susanna Mälkki, conductor; Mika Kares and Szilvia Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
‘Glass: Akhnaten,’ Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
‘Janáček: Cunning Little Vixen,’’ Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik and Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)
‘Little: Soldier Songs,’ Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra)
‘Poulenc: Dialogues Des Carmélites,’ Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Best Choral Performance
‘It’s a Long Way,’ Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble)
‘Mahler: Symphony No. 8, ‘Symphony of a Thousand,’’ Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
‘Rising w/ the Crossing,’ Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)
‘Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons,’ Kaspars Putnins, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)
‘Sheehan: Liturgy of Saint John Chrysostom,’ Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
‘The Singing Guitar,’ Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)
Best Chamber Music/Small Ensemble Performance
‘Adams, John Luther: Lines Made By Walking,’ JACK Quartet
‘Akiho: Seven Pillars,’ Sandbox Percussion
‘Archetypes,’ Sérgio Assad, Clarice Assad and Third Coast Percussion
‘Beethoven: Cello Sonatas - Hope Amid Tears,’ Yo-Yo Ma and Emanuel Ax
‘Bruits,’ Imani Winds
Best Classical Instrumental Solo
‘Alone Together,’ Jennifer Koh
‘An American Mosaic,’ Simone Dinnerstein
‘Bach: Sonatas and Partitas,’ Augustin Hadelich
‘Beethoven and Brahms: Violin Concertos,’ Gil Shaham; Eric Jacobsen, conductor (The Knights)
‘Mak Bach,’ Mak Grgić
‘Of Power,’ Curtis Stewart
Best Classical Solo Vocal Album
‘Confessions,’ Laura Strickling; Joy Schreier, pianist
‘Dreams of a New Day - Songs by Black Composers,’ Will Liverman; Paul Sánchez, pianist
‘Mythologies,’ Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
‘Schubert: Winterreise,’ Joyce DiDonato; Yannick Nézet-Séguin, pianist
‘Unexpected Shadows,’ Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)
Best Classical Compendium
‘American Originals - A New World, A New Canon,’ Agave and Reginald L. Mobley. Geoffrey Silver, producer.
‘Berg: Violin Concerto; Seven Early Songs and Three Pieces for Orchestra,’ Michael Tilson Thomas, conductor; Jack Vad, producer.
‘Cerrone: The Arching Path,’ Timo Andres and Ian Rosenbaum. Mike Tierney, producer.
‘Plays,’ Chick Corea. Chick Corea and Birnie Kirsh, producers.
‘Women Warriors - The Voices of Change,’ Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers.
Best Contemporary Classical Composition
‘Akiho: Seven Pillars,’ Andy Akiho, composer. (Sandbox Percussion)
‘Andriessen: The Only One,’ Louis Andriessen, composer. (Esa-Pekka Salonen, Nora Fischer & Los Angeles Philharmonic)
‘Assad, Clarice and Sérgio, Connors, Dillon, Martin and Skidmore: Archetypes,’ Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers. (Sérgio Assad, Clarice Assad and Third Coast Percussion)
‘Batiste: Movement 11,’ Jon Batiste, composer (Jon Batiste)
‘Shaw: Narrow Sea,’ Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)
Best Instrumental Composition
‘Beautiful is Black,’ Brandee Younger, composer (Brandee Younger)
‘Cat and Mouse,’ Tom Nazziola, composer (Tom Nazziola)
‘Concerto for Orchestra: Finale,’ Vince Mendoza, composer (Vince Mendoza and Czech National Symphony Orchestra featuring Antonio Sánchez and Derrick Hodge)
‘Dreaming In Lions: Dreaming In Lions,’ Arturo O’farrill, composer (Arturo O’farrill and the Afro Latin Jazz Ensemble)
‘Eberhard,’ Lyle Mays, composer (Lyle Mays)
Best Arrangement, Instrumental or A Cappella
‘Chopsticks,’ Bill O’Connell, arranger (Richard Baratta)
‘For The Love Of A Princess (From ‘Braveheart’),’ Robin Smith, Arranger (Hauser, London Symphony Orchestra and Robin Smith)
‘Infinite Love,’ Emile Mosseri, Arranger (Emile Mosseri)
‘Meta Knight’s Revenge (From ‘Kirby Superstar’),’ Charlie Rosen and Jake Silverman, arrangers (The 8-Bit Big Band featuring Button Masher)
‘The Struggle Within,’ Gabriela Quintero and Rodrigo Sanchez, arrangers (Rodrigo Y Gabriela)
Best Arrangement, Instruments and Vocals
‘The Bottom Line,’ Ólafur Arnalds, Arranger (Ólafur Arnalds and Josin)
‘A Change is Gonna Come,’ Tehillah Alphonso, Arranger (Tonality and Alexander Lloyd Blake)
‘The Christmas Song (Chestnuts Roasting on an Open Fire),’ Jacob Collier, Arranger (Jacob Collier)
‘Eleanor Rigby,’ Cody Fry, Arranger (Cody Fry)
‘To The Edge Of Longing (Edit Version),’ Vince Mendoza, Arranger (Vince Mendoza, Czech National Symphony Orchestra and Julia Bullock)
Best Recording Package
‘American Jackpot / American Girls,’ Sarah Dodds and Shauna Dodds, Art Directors (Reckless Kelly)
‘Carnage,’ Nick Cave and Tom Hingston, Art Directors (Nick Cave and Warren Ellis)
‘Pakelang,’ Li Jheng Han and Yu, Wei, Art Directors (2nd Generation Falangao Singing Group and the Chairman Crossover Big Band)
‘Serpentine Prison,’ Dayle Doyle, Art Director (Matt Berninger)
‘Zeta,’ Xiao Qing Yang, Art Director (Soul Of Ears)
Best Boxed or Special Limited Edition Package
‘All Things Must Pass: 50th Anniversary Edition,’ Darren Evans, Dhani Harrison and Olivia Harrison, art directors (George Harrison)
‘Color Theory,’ Lordess Foudre and Christopher Leckie, art directors (Soccer Mommy)
‘The Future Bites (Limited Edition Box Set),’ Simon Moore, art director (Steven Wilson)
‘77-81,’ Dan Calderwood and Jon King, art directors (Gang of Four)
‘Swimming in Circles,’ Ramón Coronado and Marshall Rake, art directors (Mac Miller)
Best Album Notes
‘Beethoven: The Last Three Sonatas,’ Ann-Katrin Zimmermann, album notes writer (Sunwook Kim)
‘The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions 1946-1966,’ Ricky Riccardi, album notes writer (Louis Armstrong)
‘Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology,’ Kevin Howes, album notes writer (Willie Dunn)
‘Etching the Voice: Emile Berliner and the First Commercial Gramophone Discs, 1889-1895,’ David Giovannoni, Richard Martin and Stephan Puille, album notes writers (Various Artists)
‘The King of Gospel Music: The Life and Music of Reverend James Cleveland,’ Robert Marovich, album notes writer (Various Artists)
Best Historical Album
‘Beyond the Music: Her Complete RCA Victor Recordings,’ Robert Russ, compilation producer; Nancy Conforti, Andreas K. Meyer and Jennifer Nulsen, mastering engineers (Marian Anderson)
‘Etching the Voice: Emile Berliner and the First Commercial Gramophone Discs, 1889-1895,’ Meagan Hennessey and Richard Martin, compilation producers; Richard Martin, mastering engineer (Various Artists)
‘Excavated Shellac: An Alternate History of the World’s Music,’ April Ledbetter, Steven Lance Ledbetter and Jonathan Ward, compilation producers; Michael Graves, mastering engineer (Various Artists)
‘Joni Mitchell Archives, Vol. 1: The Early Years (1963-1967),’ Patrick Milligan and Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)
‘Sign O’ the Times (Super Deluxe Edition),’ Trevor Guy, Michael Howe and Kirk Johnson, compilation producers; Bernie Grundman, mastering engineer (Prince)
Best Music Video
‘Shot in the Dark,’ (AC/DC); David Mallet, video director; Dione Orrom, video producer.
‘Freedom,’ (Jon Batiste); Alan Ferguson, video director; Alex P. Willson, video producer.
‘I Get a Kick Out of You,’ (Tony Bennett and Lady Gaga); Jennifer Lebeau, video director; Danny Bennett, Bobby Campbell and Jennifer Lebeau, video producers.
‘Peaches,’ (Justin Bieber featuring Daniel Caesar and Giveon); Collin Tilley, video director.
‘Happier Than Ever,’ (Billie Eilish); Billie Eilish, video director; Michelle An, Chelsea Dodson and David Moore, video producers.
‘Montero (Call Me By Your Name),’ (Lil Nas X); Lil Nas X and Tanu Muino, video directors; Frank Borin, Ivanna Borin, Marco De Molina and Saul Levitz, video producers.
‘Good 4 U,’ (Olivia Rodrigo); Petra Collins, video director; Christiana Divona, Marissa Ramirez and Tiffany Suh, video producers.
Best Music Film
‘Inside,’ (Bo Burnham); Bo Burnham, video director; Josh Senior, video producer.
‘David Byrne’s American Utopia,’ (David Byrne); Spike Lee, video director; David Byrne and Spike Lee, video producers.
‘Happier Than Ever: A Love Letter to Los Angeles,’ (Billie Eilish); Patrick Osborne and Robert Rodriguez, video directors.
‘Music, Money, Madness … Jimi Hendrix in Maui,’ (Jimi Hendrix); John McDermott, video director; Janie Hendrix, John McDermott and George Scott, video producers.
‘Summer of Soul,’ (Various Artists); Ahmir ‘Questlove’ Thompson, video director; David Dinerstein, Robert Fyvolent and Joseph Patel, video producers.
BEST MUSIC VIDEO
‘Shot in the Dark,’ (AC/DC); David Mallet, video director; Dione Orrom, video producer.
‘Freedom,’ (Jon Batiste); Alan Ferguson, video director; Alex P. Willson, video producer.
‘I Get a Kick Out of You,’ (Tony Bennett and Lady Gaga); Jennifer Lebeau, video director; Danny Bennett, Bobby Campbell and Jennifer Lebeau, video producers.
‘Peaches,’ (Justin Bieber featuring Daniel Caesar and Giveon); Collin Tilley, video director.
‘Happier Than Ever,’ (Billie Eilish); Billie Eilish, video director; Michelle An, Chelsea Dodson and David Moore, video producers.
‘Montero (Call Me By Your Name),’ (Lil Nas X); Lil Nas X and Tanu Muino, video directors; Frank Borin, Ivanna Borin, Marco De Molina and Saul Levitz, video producers.
‘Good 4 U,’ (Olivia Rodrigo); Petra Collins, video director; Christiana Divona, Marissa Ramirez and Tiffany Suh, video producers.
Melbourne Stars vs Hobart Hurricanes, 56th Match Dream11 prediction, Head to Head, Playing XI, Weather Forecast, Pitch Report, & Fantasy Cricket Tips, BBL 2021-22: January 19, 2022
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Melbourne Stars vs Hobart Hurricanes, 56th Match Dream11 prediction, Head to Head, Playing XI, Weather Forecast, Pitch Report, & Fantasy Cricket Tips, BBL 2021-22: January 19, 2022
BBL 2021-22 is a domestic league of Australia, where on 19 Jan Melbourne Stars vs Hobart Hurricanes are going to play the 55th match of this tournament. Check Melbourne Stars vs Hobart Hurricanes 56th Match Prediction.
Check Melbourne Stars vs Hobart Hurricanes 56th Match Prediction.
In this, we tell you all information regarding the prediction of the match, head-to-head stats, Pitch Report, & Fantasy Cricket Tips, and squad of both teams
In this BBL 2021-22 tournament, there is a total of 8 teams participating in this series.
Sydney Sixers is the former winner of this BBL 2021-22 tournament last year and for the third time, they won this trophy.
Melbourne Stars vs Hobart Hurricanes 56th Match Prediction
Playing XI of Melbourne Stars vs Hobart Hurricane
Melbourne Stars-
Sandeep Lamichhane, Nic Maddinson, Marcus Stoinis, Daniel Worrall, Glenn Maxwell, Jonathan Merlo,
Adam Zampa, Scott Boland, Liam Bowe, Liam Plunkett, Michael Beer, Jackson Bird, Dwayne Bravo,
Jackson Coleman, Travis Dean, Ben Dunk, Seb Gotch, Evan Gulbis, Peter Handscomb
Hobart Hurricane-
David Moody, Tim Paine, Aaron Summers, Matthew Wade, Tom Rogers, Clive Rose, D’Arcy Short, Jofra Archer,
George Bailey, Jake Doran, James Faulkner, Johan Botha, Alex Doolan, Caleb Jewell, Simon Milenko, Tymal Mills,
Ben McDermott, Riley Meredith.
Head to Head stats of Melbourne Stars vs Hobart Hurricane
The total played 16 matches in which Hobart hurricanes won 6 matches and Melbourne Stars won 10 matches.
Hobart Hurricane has a 154.3 Average and Melbourne Stars average is 149.6.
By batting, first Hobart Hurricane won 4 matches and Melbourne Stars won 3 matches.
Live streaming of Melbourne Stars vs Hobart Hurricanes
Star Sports Network which has broadcasting rights of all matches of BBL 2021-22
Cricket fans of India can enjoy this tournament on Start Sports Network.
In Australia, this tournament is available on Foxtel.
In the USA this will be broadcast on Willow TV
Cricket fans of Bangladesh can enjoy on Gazi TV
Live streaming of this BBL 2021-22 tournament is available on Sony LIV.
Dream XI and Fantasy c ticket tips of Melbourne Stars vs Hobart Hurricanes
As captain of the team, we can choose G Maxwell and Vice-Captain J Thompson
For batsmen, we can opt, M Stoinis, C Jewell, and H Brook
In Bowlers, we have players like Q Ahmad, N Ellis, and B Couch
Wicketkeeper we can go for M Wade, and J Clarke.
G Maxwell, A Russell, and J Thompson opt for All-rounder of the team.
Pitch Report and a weather report of the match of Melbourne Stars vs Hobart Hurricanes
On 19 it is a full sunny day and its temperature is 28’c, because of which there is no hindrance in this 56th match.
Precipitation- 10%
Wind- 27 km\h
Humidity- 45%
This stadium of Melbourne stars has a capacity of 90,000.
T20 total 12 matches are plays in which first batting won 5 and 2nd batting won 7.
If we talk about stats of two formats then in ODI 146 total match in which team who chooses to bat first win 72 times matches and in second stats is 3 match.